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I always put my family first, and I have turned down some enormous opportunities as a result of that. And it’s hard to put family life aside - that is the biggest departure in Tom’s movie. That’s the young version of me that I think that I would be confronting as the contemporary Nick Cage.Īnybody watching this film is going to wonder: Your family life aside - because that’s clearly fictionalized - how close is the main Nick Cage character to your actual offscreen personality? That guy was an obnoxious, irreverent, arrogant madman. Look at my appearance on the Wogan show in England when I was promoting Wild at Heart. They were talking more about like having the character be like Cameron Poe from Con Air - but that’s not me. I really responded to the Nicky character, this younger version of myself. Ultimately, the studio decided it was too far out for audiences. So there was a sequence in black and white that was a Gone in 60 Seconds race in a Mustang, there was the Leaving Las Vegas character in a hotel room.
DRIVE ANGRY MOVIE NICOLAS CAGE BULLET FACE MISTAKE SERIES
It was a sequence where the Nick Cage character goes into a series of vignettes that are all stylized in the German expressionism of The Cabinet of Doctor Caligari. What really put the hook in me was a sequence that is no longer in the movie. But when I got Tom’s letter, then I thought, “OK, he’s not just trying to mock so-called Nick Cage there is a real interest in some of the earlier work.” His tone was more of a celebration of some of moments - like being at the bottom of the pool in Leaving Las Vegas or the gold guns in Face/Off.
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What was your initial reaction to this idea? Coming off his acclaimed dramatic performance in last year’s indie fav Pig, the 58-year-old discusses the psychological roller coaster of making Unbearable Weight, explains the method behind his onscreen madness, his “mutual departure” with Hollywood, and whether he’d be down for Face/Off 2. It’s a feel-good comedic adventure with Cage in a dual role as himself and, occasionally, his imaginary alter ego “Nicky” (a bombastic CG-smoothed 1990 version of Cage). But even after wrapping production, the actor was convinced he couldn’t stomach the funhouse mirror experience of watching himself play himself (until, that is, he was forced to do it).įortunately, the movie will be anything but torturous for audiences - Unbearable Weight just might be Cage’s most accessible live-action work in years. “I turned it down three or four times,” Cage tells The Hollywood Reporter in a candid and in-depth interview ahead of the film’s March 12 premiere at SXSW.Īn impassioned letter from Gormican ( Ghosted) eventually won him over. In writer-director Tom Gormican’s comedy, a fictionalized, egocentric, down-on-his-luck version of Nicolas Cage accepts a $1 million offer from a wealthy mega-fan (Pedro Pascal) to attend a party in Spain and finds himself in a real-life action-adventure and tumbling down a rabbit hole of references to his past roles. When Nicolas Cage first heard the premise of The Unbearable Weight of Massive Talent, he was vaguely offended.